If you've seen Steve Vai perform in the last few years, you may have seen him playing a Jem guitar with the word Pogo taped on the face. Steve wanted one of his instruments to have a fat, classic humbucker sound to contrast with the hotter, screaming Evolution-equipped guitars. This is the neck pickup we developed for him. 
Recommended for the Neck position on bolt-on trem guitars.
The Breed is a bit louder and fatter-sounding than the PAF Pros that Steve used on his earliest Jems. As a neck pickup, it has more than enough power to balance with high-output bridge pickups: it will work the the Tone Zone, Super Distortion and Evo as well as the Breed bridge model. In the bridge position, it has a very warm, hot PAF tone - really smooth, with nice harmonics.
Specifications: Wiring Standard four conductor Magnet Alnico 5 Output 325mV DC Resistance 10.14K. F-spaced for guitars with tremolos or wider nut and fixed bridges.
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The Steve's Special is a non-traditional approach to high-output bridge humbucking pickup design. Most hot humbuckers concentrate the pickups power in a narrow frequency range for maximum impact. The Special spreads the sound over a broader range so bass and treble tones are boosted, and midrange is lowered. The result is a sound that's hot, clean and open at the same time.
Recommended For: Bridge position.
Tech Talk: Clean overdrive with high-gain amps. Very effective in dual sound and coil splitting clean modes. For soloing, this is a very good pickup to play with a midrange-heavy amp: the mid-scoop in the pickups' sound keeps the initial pick attack clean, and the notes don't run together as much with legato playing, even with heavy overdrive.
Specifications: Wiring Standard four conductor Magnet Ceramic Output 390mV DC Resistance 17.89K. F-spaced for guitars with tremolos or wider nut and fixed bridges.
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This is the pickup that started it all. Many of the classic Rock guitar sounds of the '70's and '80's were produced by a Super Distortion and a raging tube amp. But don't confuse classic with outdated. Diverse artists from Al DiMeola, Frank Gambale and Vinnie Moore to Metal veterans Iron Maiden and Ace Frehley have chosen the Super Distortion as an integral part of their personal sound.
With plenty of output and mid-boost to boot your amp into overdrive, Super Distortion humbuckers put out a hot, thick tone with a tight bottom-end : a classic tone when plugged directly into the front-end of any high-gain tube amplifier. Used in the bridge position of a locking-trem equipped guitar, the Super Distortion puts back low-end the tremolo can bleed off.
The Super D is primarily a bridge position pickup, although it can be used in the neck position with a relatively low-gain amp. Specifically designed for solid-bodies: hollow and semi-hollow guitars can be hard to control with warm, high output pickups. When we first built the Super, it was a one-conductor pickup.
As a 4-conductor pickup, it's extremely versatile. Coil-splitting produces a very Strat-like option, both in tone and power. Parallel wiring is similar to splitting, but it's still humbucking and a little more hollow-sounding; Paul Gilbert used to use 2 Super Distortions wired in parallel when he was in Racer X.
Specifications: Wiring Standard four conductor Magnet Ceramic Output 425mV DC Resistance 13.68K. F-spaced for guitars with tremolos or wider nut and fixed bridges.
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DigiTech Artist Series Scott Ian Black-13 Guitar Multi Effects Pedal Factory B-Stock
If you're looking for bone-crushing rhythm sounds and scorching riff tones only the Scott Ian Black-13 will satisfy. This stompbox gives you access to 7 of Ian's most celebrated distortion tones, from "I Am the Law" to "Finale." Using Production Modeling, DigiTech accurately analyzed Ian's guitar sounds, including effects and other processing. They modeled every aspect of the signal chain from the microphone and speaker cabinet to pre and post effects. Level, Cntrl 1, Cntrl 2, and Model knobs give you control over all the parameters. Amp and mixer outputs give you routing flexibility.
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The DigiTech EX-7 gives you all the classic bad boys in one amazing effect pedal with models based on the Dunlop Cry Baby Wah, Vox Clyde McCoy Wah, 
DigiTech XP300 Space Station, DigiTech Whammy, Unicord Univibe, Leslie 145 Rotary Speaker, and the A/DA Flanger.
All the effects of the DF-7 Distortion Factory are also included in this Expression Factory pedal, with models based on the following distortion pedal/amp/cab configurations: the Ibanez TS9 through a Fender 1965 Deluxe Reverb 1×12, the DOD 250 through a Marshall 4 x12, the Boss DS-1 through a Johnson Amplification 4 x12, the Pro Co Rat through a Fender Bassman 2 x12, the Boss Metal Zone through a Johnson 4 x12, the DigiTech Metal Master through a VHT Amplification 4×12, and the EH Big Muff pi through a Marshall 4×12 with 25 watt Celestions.
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ตัวนี้เป็นสินค้าเกรด B เนื่องจากมีรายขีดข่วน/รอยบุ๋ม ซึ่งไม่มีผลต่อ fuction การใช้งาน หากท่านใดสนใจก็ต้องรีบหน่อยครับ เพราะสินค้าพวกนี้มีจำนวนจำกัด
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Instant access to 77 models with lots of tweakability!
With the Digitech RP150 Guitar Multi Effects Pedal, accessing superbly detailed new models has never been easier. In three steps, you can dial in the perfect sound with DigiTech's Tone and Effects library knobs.
1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on.
You may never go any deeper into the infinitely-tweakable RP interface. DigTech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. Modeling guitar processors with the raw power for real players and tone that deserves to be heard on stage and in the studio.
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Customer Review
I recommend browsing thru the owner???s manual at least once to become familiar with the tone and effects pedal settings. Valuable info can be obtained from the manual about settings for amp modeling, cabinets, noise gate, chorus, flanger, phaser, etc. The possibilities are simply endless! You can also download the X-Edit and link the RP 150 to your computer and adjusting settings and saving presets is no problem. Also comes with a Digital Tuner… Nice!
I have a bunch of old amps that sound great so I prefer to use this with headphones and the mixer. Drum machine is very cool with lots of choices. Does a good job there. Sraight from the box into headphones its pretty amazing. I paid 50.00 used so it is a heck of a deal.
I don't know if I'd record professionally with this. But for playing around, it's a lot of fun in a little box. I think these kind of things are great for people starting out: not too expensive and keeps you playing! And, it lets you try out a bunch of effects, so you can see which ones suit what you want to say. I play a lot of blues and rockabilly…the delays and tremolo and vibro bits all sound pretty good to me.
Best for electric guitar with magnetic coil pickups. Gives wider range of expression. Improves the sound of other effects. Makes amplifiers seem more powerful 
and speeds up the attack. Improves amp overdrive but also can run very clean. Countless albums and CD?s owe part of their success to the Aphex Aural Exciter It?s been a ?secret weapon? of top producers and artists for over 24 years. This patented process adds transient discriminate harmonic details to the sound - without turning it into distortion. High impedance instrument input (10 megohms) Low impedance instrument output - drives a long cable effortlessly Aural Exciter Big Bottom Lo Tune Control Lo Blend Control Hi Tune Control Hi Blend Control Foot Switch with LED Indicator Active/Passive Input Switch Balanced XLR D.I. Output Ground Lift Wet/Dry D.I. Output Switch 9V Battery or AC Adapter Powered Ruggedly Constructed
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